美国文学-文学诗歌期末考试赏析
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3 The Wild Honey Suckle(P29)The Wild Honey SucklePhilip FreneauFair flower, that dost so comely grow, Hid in this silent, dull retreat, Untouched thy honied blossoms blow, Unseen thy little branches greet:No roving foot shall crush thee here,No busy hand provoke a tear.By Nature's self in whitearrayed,She bade thee shun the vulgar eye,And planted here the guardian shade, And sent soft waters murmuring by; Thus quietly thy summer goes,Thy days declining to repose,Smit with those charms, that must decay, I grieve to see your future doom;They died - nor were those flowers more gay,The flowers that did in Eden bloom;Unpitying frosts, and Autumn's powerShall leave no vestige of this flower.From morning suns and evening dewsAt first thy little being came:If nothing once, you nothing lose,For when you die you are the same;The space between, is but an hour,The frail duration of a flower.1st stanza:The honey suckle lives an obscure, unknown, forgotten, serene, and safe life.2nd stanza:The pure, innocent honey suckle is not contaminated by the vulgar eye of people and protected, embraced, and nurtured by Nature.3rd stanza: grief upon the flower’s death4th stanza: nothing gained, nothing lost4. Success is counted sweetestSuccess is counted sweetestBy those who ne’er succeed.To comprehend a nectarRequires sorest need.Not one of all the purple HostWho took the Flag to-dayCan tell the definition,So clear, of victory,As he, defeated, dying,On whose forbidden earThe distant strains of triumphBurst agonized and clear!Interpretation:1. Only those who desire success most can tell howsweet it is; and people who easily obtain success can hardly realize what it really means.2. Even though the old-time fighters could not taste thesweetness of victory in all their life, they are thosewho know what success really is. Compared with the present easy success winners, they deserve more respect.3. In consideration of the poetess’s life experience andher temperament, here in this poem she may imply her determination to pursue or quest her ideal even though her value was not recognized at her time. That is to say, she firmly believes that even she was regarded as a loser at her time (few poems were published in her life), she herself clearly knows where she stands.4. In a broader sense, the little poem can serve as apiece of encouragement for those who are struggling for and pursuing their dreams and ideals---- if what you are fighting for is meaningful, don’t give up, no matter what the result is. The easy success is not so sweet.5. The Soul Selects Her Own SocietyThe Soul selects her own Society---Then---shuts the door---To her divine Majority---Present no more---Unmoved ---she motes the Chariots---pausing---At her low Gate---Unmoved---an Emperor be kneelingUpon her Mat---I’ve known her---from an ample nation---Choose One---Then---close the Valves or her attention---Like Stone---1) the soul made its choice and wanted no more. Thisshowed her resolution and determination.2) Unmoved by any other temptation3) Since I have made my choice, I will stick to it and willnever be tempted by other things.Soul, one: art , poetry, love, ideal。
1. A Psalm of Life1.1Analysis:Henry Wadsworth Longfellow begins his poem "A Psalm of Life" with the same exuberance and enthusiasm that continues through most of the poem. He begs in the first stanza to be told "not in mournful numbers" about life. He states here that life doesn't abruptly end when one dies; rather, it extends into another after life. Longfellow values this dream of the afterlife immensely and seems to say that life can only be lived truly if one believes that the soul will continue to live long after the body dies.The second stanza continues with the same belief in afterlife that is present in the first. Longfellow states this clearly when he writes, "And the grave is not its goal." Meaning that,life doesn't end for people simply because they die; there is always something more to be hopeful and optimistic for. Longfellow begins discussing how humans must live their lives in constant anticipation for the next day under the belief that it will be better than each day before it: "But to act that each to-morrow / Find us farther than to-day."In the subsequent stanza, Longfellow asserts that there is never an infinite amount of time to live, but art that is created during one's life can be preserved indefinitely and live on long after its creator dies.In the following stanzas, Longfellow likens living in the world to fighting on a huge field of battle.He believes that people should lead heroic and courageous lives and not sit idle and remain ineffectual while the world rapidly changes around them: "Be not like dumb, driven cattle! Bea hero in the strife!" His use of the word "strife" is especially interesting, since it clearly acknowledges that life is inherently difficult, is a constant struggle, and will never be easy. Longfellow then encourages everyone to have faith and trust the lord and not to rely on an unknown future to be stable and supportive.2. Commentary for A Psalm of LifeSensory languageRhyme schemeABABUses descriptive languageUses similes2. ExcelsiorSummary: Excelsior is a poem about a traveler who had only one goal stuck into his head that was to get higher and nothing could make him stop, not even the warm light of houses, nor the warm welcome of a girl, nor the storm that will come at night, nor the avalanche could stop him. And in the end he died. He did what he determined to do and he ended up losing his life.3. Sit and Look OutAnalysis:As the poet surveys the human world, he is struck by the numbers and variety of misfortunes to which mankind is subject and which are the causes of wide-spreading suffering in the world. He sees all this but he remains silent. His silence is of course due to the profundity of suffering in the world and his helplessness in the matter.4. Mending Wall (from North of Boston)Form and style: The poem is in blank verse—that is, unrhymed iambic pentameter. Its forty-five lines are in the form of a monologue, but quite different from the style of dramatic monologuepopularized by Robert Browning’s give a revelation of the speaker’s character, often unintentional, and are focused inward. Frost’s are directed outward, usually at some object that can serve: as a point of departure of general observations. The verse is largely monosyllabic, the language typically unpretentious. His Paleolithic savage, for example, is old-stone, a literal translation of the Greek word and much more effective. Simplicity and dignity set the tone.。
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《美国文学》期末考试试卷(B卷)1.Poor Richard’s Almanac()2.The House of the Seven Gables ( )3.“Raven” ( )4.My Antonia ( )5.Babbitt ( )6.A Streetcar Named Desire ( )7.Maggie: A Girl of the Streets ( )8.A Farewell to Arms ( )9.The Call of the Wild ()10.Long Day’s Journey into Night ( )11. Common Sense ( )12。
“Rip Van Winkle”( )13。
Walden( )14。
The Song of Hiawatha( )15。
Uncle Tom’s Cabin( )16。
The Adventures of Huckleberry Finn( )17. Sister Carrie( )18。
The Waste Land( )19。
A Farewell to Arms( )20. The Great Gatsby( )1. defined poetry as the rhythmical creation of beauty。
美国文学期末考试作品赏析The Legend of Sleepy Hollow.1.what is the location of this story?2.the atmosphere and the history of this area?3.who is the protagonist of this story?4.what is the main conflict?"The Legend of Sleepy Hollow" is a short story by Washington Irving contained in his collection The Sketch Book of Geoffrey Crayon, Gent., written while he was living in Birmingham, England, and first published in 1820. With Irving's companion piece "Rip Van Winkle", "The Legend of Sleepy Hollow" is among the earliest examples of American fiction still read today.The story is set circa 1790 in the Dutch settlement of Tarry Town, New York, in a secluded glen called Sleepy Hollow. It tells the story of Ichabod Crane, a lean, lanky, and extremely superstitious schoolmaster from Connecticut, who competes with Abraham "Brom Bones" Van Brunt, the town rowdy, for the hand of 18-year-old Katrina Van Tassel, the daughter and sole child of a wealthy farmer. As Crane leaves a party he attended at the Van Tassel home on an autumn night, he is pursued by the Headless Horseman, who is supposedly the ghost of a Hessian trooper who had his head shot off by a stray cannonball during "some nameless battle" of the American Revolutionary War, and who "rides forth to the scene of battle in nightly quest of his head". Ichabod mysteriously disappears from town, leaving Katrina to marry Brom Bones, who was "to look exceedingly knowing whenever the story of Ichabod was related".The dénouement of the fictional tale is set at the bridge over the Pocantico River in the area of the Old Dutch Church andBurying Ground in Sleepy Hollow. The characters of Ichabod Crane and Katrina Van Tassel may have been based on local residents known to the author. The character of Katrina is thought to have been based upon Eleanor Van Tassel Brush, in which case her name is derived from that of Eleanor's aunt Catriena Ecker Van Tessel.Although Irving knew an army colonel named Ichabod Crane from Staten Island, New York (who was also once the Commanding Officer of Lieutenant Stonewall Jackson), the character in "The Legend" may have been patterned after Jesse Merwin, who taught at the local schoolhouse in Kinderhook, further north along the Hudson River, where Irving spent several months in 1809.the wild honey suckle 的分析《野金银花》是Freneau在南卡罗莱纳州查尔斯顿散步时,看到一簇幽生的金银花,于是便有感而发,将这首短诗一气呵成。
美国文学-Poe--TO-HELEN--最全点评-(考试专用)TO HELENEdgar Allan PoeHelen, thy beauty is to meLike those Nicean barks of yore,That gently, o'er a perfumed sea,The weary, wayworn wanderer boreTo his own native shore.On desperate seas long wont to roam,Thy hyacinth hair, thy classic face,Thy Naiad airs have brought me homeTo the glory that was GreeceAnd the grandeur that was Rome.Lo! in yon brilliant window-nicheHow statue-like I see thee stand,The agate lamp within thy hand!Ah, Psyche, from the regions whichAre Holy Land!致海伦海伦,你的美在我的眼里,有如往日尼西亚的三桅船船行在飘香的海上,悠悠地把已倦于漂泊的困乏船员送回他故乡的海岸。
早已习惯于在怒海上飘荡,你典雅的脸庞,你的鬈发,你水神般的风姿带我返航,返回那往时的希腊和罗马,返回那往时的壮丽和辉煌。
看哪!壁龛似的明亮窗户里,我看见你站着,多像尊雕像,一盏玛瑙的灯你拿在手上!塞姬女神哪,神圣的土地才是你家乡!First Stanza: Helen: An allusion to Helen of Troy in Greek mythology. Helen, the wife of King Menelaus of Greece, was the most beautiful woman in the world. After a Trojan prince named Paris abducted her, the Greeks declared war on the Trojans, fighting a 10-year battle that ended in victory and the restoration of Greek honor. Helen returned to Greece with Menelaus.Nicean: Of or from Nicea (also spelled Nicaea), a city in ancient Bithynia (now part of present-day Turkey) near the site of the Trojan War.barks: small sailing vessels.End rhyme: A, B, A, B, B.Second Stanza:wont: accustomed to (usually followed by an infinitive, such as to roam in the first line of this stanza).Naiad: Naiads were minor nature goddesses in Greek and Roman mythology. They inhabited and presided over rivers, lakes, streams, and fountains.Naiad airs: Peaceful, gentle breezes or qualitiesthe glory that . . .Rome: These last two lines, beginning with the glory that was, are among the most frequently quoted lines in world literature. Writers and speakers quote these lines to evoke the splendor of classical antiquity. The alliteration of glory, Greece, and grandeur helps to make the lines memorable.End rhyme: A, B, A, B, A.Half rhyme: Face and Greece are similar only in that they have one syllable and the same ending–"ce." The vowels "a" and "ee" do not rhyme. Thus, face and Greece make up what is called half rhyme, also known as near rhyme, oblique rhyme, and slant rhyme.agate: a variety of chalcedony (kal SED uh ne), a semiprecious translucent stone with colored stripes or bands. The marbles that children shoot with a flick of the thumb are usually made of agate (although some imitations are made of glass).agate lamp: burning lamp made of agate.Psyche: In Greek and Roman mythology, Psyche was a beautiful princess dear to the god of love, Eros (Cupid), who would visit her in a darkened room in a palace. One night she used an agate lamp to discover his identity. Later, at the urging of Eros, Zeus gave her the gift of immortality. Eros then married her.End rhyme: A, B, B, A, B.from the regions which are Holy Land: from ancient Greece and Rome; from the memory Poe had of Mrs. Stanard Edgar Allan Poe's poem, "T o Helen", was inspired by Sarah Helen Whitman, the beautiful young mother of one of Poe's boyhood friends - "the first purely ideal love of my soul," according to the poet. Or was his poetic inspiration Jane Stith Stanard, as numerous Poe scholars argue? It makes little difference. Since the poem exists in two versions with minor changes, it was apparently first occasioned by his infatuation with Mrs. Stanard and then revised for Mrs. Whitman.The woman of the title is compared to Helen of Troy, possessor of "the face that launched a thousand ships." That quotable quote appeared in Christopher Marlowe's "Dr. Faustus"and refers to the kidnapping by Paris of the world's most beautiful woman, who was the wife of King Menelaus of Sparta. That abduction was the cause of the Trojan war.No one is sure why Poe chose to refer to those ships as "Nicean barks." Nicea (or Nicaea) is an ancient city of Asia Minor. Probably the poet liked the quality of remoteness associated with the place name and the vowel music it produces in combination with "barks." Others feel he may have been echoing Samuel Taylor Coleridge, a favorite poet of the young Poe, who in "Youth and Age" wrote the line, "Like those trim skiffs, unknown of yore."The alliterative "weary, wayworn wanderer" refers to Odysseus (Ulysses in Latin), who was delayed ten years on his return voyage from the Trojan War by the adventures and misadventures recorded in Homer's Odyssey. Like the bark of Odysseus, Poe's Helen and her beauty have transported the poet on the sea of life.Ever a romantic, Poe believed that classical images and allusions were the best ways to capture the "glory" and "grandeur" of the past. His subject's hair is "hyacinth," or the reddish-orange of zircon. The term has often been poetically descriptive of hair since the mid-17th century. Her face is "classic," and "Naiad airs" allude to the graceful nymphs of mythology, who inhabited streams and lakes.In the concluding stanza, Helen becomes a statue, and we recall the serene facial expressions and flowing garments of ancient Greek and Roman sculpture. The "agate lamp" in her hand connects to his mention of Psyche,the female personification of the human soul in Greek mythology. Psyche was forbidden to look at her beloved Cupid. One night she did so by the light of this kind of lamp and earnedhis prolonged anger.The Holy Land of the final stanza is the realm of ideal beauty removed both by time and space from the workaday world. In sum, his poem of adoration of a beautiful woman whom he met as an early teenager bespeaks a Platonic, transcendent form of sexuality. It seems consonant with his marriage to Virginia Clemm, a thirteen-year-old first cousin who died at 25 and who is immortalized in "Annabel Lee.""There comes Poe, with his raven, like Barnaby Rudge,/ Three fifths of him genius and two fifths sheer fudge" quipped James Russell Lowell in the "Poe and Longfellow" section of his satirical poem, "A Fable for Critics". TS Eliot compared Poe's mind with that of "a highly gifted young person before puberty".Edgar Allan Poe's poetry, whatever its limitations, was a catalyst. The current of his imagination flowed on into Europe and helped nurture the French symbolist movement. Stéphane Mallarméin "Le Tombeau d'Edgar Poe" hailed him as the poet whose angel gave "a purer meaning to the dialect of the tribe". Poe may have seemed to Eliot an intellectual adolescent, but we could retort that he was in fact the grandfather of one of Eliot's most famous lines, "To purify the dialect of the tribe".A child-like quality is certainly present in his verse. It's in the diction and the idealised childhood eroticism of "Annabel Lee". The Gothic imagination generally seems formed out of nursery shadows and nightmares, infused with adolescent sexual guilt. Poe's vision of love tainted and destroyed reaches an almost ecstatic pitch in "The Raven" and in "Ulalume: A Ballad" (a superbly made poem, better than "The Raven", I think). Poe enjoyed writing burlesque, and these narratives enjoyably teeter on, and draw back from, its brink.In more lyrical, less Gothic mode, Poe might be a decadent reincarnation of William Blake. His simple rhythms and rhymes are asserted with an emotional directness that renders the simplicity trustworthy. Poe's idealism is purely aesthetic, however. His angels are jealous or demonic; he sings his liebestod in a fallen world.In an essay, The Poetic Principle, Poe explains his aesthetic, and weaves into it an instructive anthology of poems he admires. Classics were an important influence, as the skill of his versification testifies. In this week's poem, "To Helen", classicism and aestheticism seamlessly fuse.It's an atypical poem, perhaps, with its air of calm concentration, its almostimagistic focus. Poe, like Yeats later on in "Sailing to Byzantium" tries to transfix a notional Golden Age in verse that itself is timeless and hard. Whoever his personal "Helen" may have been, she is more than an earthly beloved; partly the Helen of classical legend, she is also, the last stanza suggests, a Beatrice-like figure of moral – or, at least, untainted – illumination.A little patience is required of today's readers, not only with those "Nicéan barks of yore". There is a "perfumed sea" to compound the decorative fantasy. But why not? This sea is "perfumed" because it's an ideal sea, sniffed on board the ideal boat of imagination. The adjective prefigures the flower which, in the next stanza, will give us both the sea's colour and a lovely image of scented, curling hair: the hyacinth.In the second stanza, a slightly dislocated, Latinate grammar floats the poem towards symbolism. The speaker is the literal subject of "long wont to roam". But, metaphorically, the hair, face and "Naiad airs" have shared the voyage. The "roam/Rome"rhyme that "book-ends" this verse is a subtle touch –a miniature history in a pair of homophones.The variation in each stanza's closing lines deserves comment. The trimeter line that follows the tetrameter in "The weary, way-worn traveller bore/ To his own native shore," has the cadence of homecoming. "To the glory that was Greece./ And the grandeur that was Rome" are regular trochaic four-beat lines, planted so firmly as to transform the banal thought – and the perhaps rather vague distinction between "glory" and "grandeur".The last stanza is the amazing one. We don't expect to see Psyche at this point but there she is, in a silhouette as clear-cut as her "agate lamp". If she is the self, or soul, perhaps "the regions which/ Are Holy-Land" denote the Unconscious. The poem ends on its only dimeter line, a curtailment suggesting perfect sufficiency. This is the limit past which poets – and readers – travel only in silence. Unusually, for Poe, "T o Helen" leaves a lot unsaid. But, personally, I'd rather have this one exquisite lyric than any number of his narratives.Edgar Alan Poe:T o HelenIt is one of Poe’s most famous lyrics, inspired by Mrs. Jane Stith Stanard, the mother of a schoolmate of Poe, in Richmond, Virginia. Poe described the poem as “lines written in mypassionate boyhood, to the first, purely ideal love of my soul.”?The Helen of Greek myth was the beautiful daughter of Zeus. Her abduction by Paris was the cause of the Trojan War and the source of the Iliad of Homer.Psyche was the daughter of an unknown king. Her beauty was so extraordinary that men would worship her instead of courting her. Aphrodite then, out of jealousy for her beauty, sent Eros to make Psyche fall in love with some unworthy man whilean oracle said that Psyche must wed a horrible monster on the top of a mountain. Psyche then was first exposed, and then carried by the wind to a castle. But Eros, instead of obeying Aphrodite, fell in love with Psyche and visited her every night, although never allowing Psyche to see him. However, following the advices dictated by jealousy that her two sisters gave her, Psyche managed to know who her lover was. Eros then deserted her, and when their love was discovered, Psyche suffered the wrath of Aphrodite, who mistreated her in many ways. However, after several complications the lovers could reunite, and Psyche was reconciled with Aphrodite and made immortal.Throughout the Poem, Poe uses allusions to classical names and places, as well as certain kinds of images to create the impression of a far-off idealized, unreal woman, like aGreek statue.Helen stands, not like a real woman, but like a saint in a “window-niche”. She becomes a symbol both of beauty and of frustration, a romantically idealized, yet inaccessible image of the heart’s desire.。
英美诗歌鉴赏期末总结在过去的一个学期中,我学习了许多英美诗歌,从古典到现代,涵盖了各种不同的风格和主题。
通过对这些诗歌的阅读和分析,我对英美诗歌的发展和演变有了更深入的了解。
在本篇文章中,我将总结我在这个学期中所学到的知识和经验。
首先,我学会了阅读诗歌的技巧。
英美诗歌通常包含丰富的隐喻、象征和意象,需要我们通过仔细的阅读和分析来理解其中的深层含义。
我们需要关注诗歌的音乐性、节奏和韵律,以及诗歌中使用的修辞手法。
通过对作者使用的词语和句式的分析,我们可以更好地理解诗歌所表达的主题和情感。
其次,我了解了英美诗歌的历史背景和发展。
英美诗歌的发展可以追溯到古希腊和古罗马时期,在中世纪和文艺复兴时期达到了巅峰。
随后,随着现代主义和后现代主义的兴起,英美诗歌经历了一系列的变革。
了解诗歌的历史背景有助于我们更好地理解诗歌中所传达的思想和情感。
在学习诗歌的同时,我也学到了一些有关英美文学的知识。
许多英美诗歌与其他文学作品有着紧密的联系,例如莎士比亚的戏剧作品和雪莱的散文作品。
通过与其他文学作品进行比较和对比,我们可以更好地理解诗歌的创作背景和诗人的思想。
在诗歌鉴赏过程中,我最喜欢的一部分是分析诗歌的主题和情感。
诗歌是诗人对生活、爱情、自然和人类经验的感悟和表达。
通过理解诗歌中所传达的情感和情绪,我们可以更好地与诗人产生共鸣,并从中获得启示和思考。
例如,在读到罗伯特·弗罗斯特的诗歌《停在树林之中不可归》时,我深深感受到了人类对自然的敬畏和对生活的思考。
此外,我还学会了自己写诗。
通过学习英美诗歌的形式和技巧,我掌握了一些写作诗歌的基本要素。
我尝试使用不同的修辞手法和意象来表达自己的思想和情感。
写诗是一种表达自我的方式,我发现通过写诗可以更好地思考和观察自己周围的世界。
在未来,我将继续研究和鉴赏英美诗歌。
英美诗歌有着丰富的历史和文化积淀,每一首诗背后都有着独特的故事和意义。
通过不断阅读和研究,我希望能够更好地理解和欣赏这一文学形式,并将其应用到我的写作和创造中。
1.A Red, Red Rose Robert Burns1) 总分析it is a very popular poem for his beautiful words and sound, using many key poetic devices to describe his eternal and passionate love. He describes his passion andemotion using a lot of imagery, symbolism, rhyme, and repetition which appeals to the senses including the heart 2)Theme : The speaker loves the young lady beyond measure through vivid similes and hyperbolic comparisons.Love: —express speaker's powerful, undying love-is lasting,real,awesomely awesome. Nature: Rocks, seas, sand, roses —many nature.Time: "A Red, Red Rose" has time on its side.3) Structure: a)Stanza1: compare his sweet heart as a red rose and sweet music.b)Stanza2-3 : swear that he will love her for ever, and assure that he will never change his heart.c)Stanza4: assure his lover that he will leave for a short time but will come back no matter how far it is.4) Form: Scottish Folklore, short lines, strong rhythm. The first and third lines have 8 syllables and the second and fourth lines have 6 syllable in the first two stanzas and 7syllables in the second two stanzas. Rhyming abab. Use simile to express the strong affection which can not be controlled. And use repetition to intensify his emotion.5)Meter:This one's a classic, so it's no wonder it uses some of the most classic forms in allof poetry and music. "A Red, Red Rose" is written partly in ballad meter (the first eight lines) and partly in common meter (the last eight lines). It alternates between iambic tetrameter in the odd-numbered lines and iambic trimeter in the even-numbered ones. Aline of iambic tetrameter consists of four (tetra-) iambs, a foot that contains an unstressedsyllable followed by a stressed syllable. Line 5 is a great example: As fair art thou, mybonn-ie lass. Iambic trimeter, as you might have already guessed, is the same as iambic tetrameter, except there are three (tri-) iambs instead of four, as in line 2: That's new-lysprung in June. But line 10, It has seven syllables, when it should have six. Let's assumethe line's first foot is not an iamb but an anapest. If we scan the line in the following way,we have a line of neat, flowing trimeter: And the rocks melt wi' the sun.2.I Wondered Lonely as A Cloud William Wordsworth1) Theme: N ature's beauty uplifts the human spirit. Lines 15, 23, and 24 specifically refer tothis theme; P eople sometimes fail to appreciate nature's wonders as they go about theirdaily routines. Lines 17 and 18 suggest this theme; N a ture thrives unattended. The daffodils proliferate in splendor along the shore of the lake without the need for humanattention.2) Genre :Lyric p oem3) Rhyme Skill :ababcc, efefgg, hihikk, lmlmnnRhetoric( 修辞):Simile 明喻,personification 拟人,hyperbole 夸张,alliteration 头韵。
美国文学诗歌名篇翻译赏析第一篇:美国文学诗歌名篇翻译赏析I shot an arrow……我射出一支箭……---Henry Wadsworth LongfellowI shot an arrow into the air,我把一支箭射向空中It fell to earth I knew not where;不知它落在何方For so swiftly it flew the sight飞得那么快Could not follow it in its fight.眼睛难以追寻它的方向I breathed a song into the air,我对着天空轻轻唱歌It fell to earth I knew not where;不知它消逝在何方For who has the sight so keen and strong谁的眼光能如此敏锐犀利That can follow the flight of a song.能跟上歌声的翅膀Long, long afterwards in an oak,很久很久以后,在一棵橡树上I found the arrow still unbroke;我找到了那支箭,仍未折断And the song, from beginning to end,也发现了那支歌,自始自终I found again in the heart of a friend.在朋友的心中欢唱This poem is written in a traditional iambic form with the feet “aabb aacc ddee”.In the poem, Longfellow sings the friendship implicitly and skillfully.The arrow and the song in this poem stand for the friendship.When he shot an arrow and breathed a song into the air, he did not expect to find them any more.But many years later, he came across with the arrow and found that hissong was always in the heart of his friend.This suggests that the friendship is everlasting.I’m Nobody!我是无名之辈Emily DickinsonI’m nobody!Who are you?我是无名之辈!你是谁?Are you nobody, too?你也是无名之辈吗?Then there’s a pair of us----don’t tell!那么我们就是一对儿了!千万不要透露出去They’d banish us, you know!不然我们都会被他们驱逐,你知道。
(完整版)美国文学选择题诗歌分析题大全有用的,推荐文档Part Two American LiteratureChapter 1 The Romantic PeriodI. Choose the right answer:1. Of all the following issues, _____is definitely NOT the focus of the Romantic writers in the American literary history.A. Puritan moralityB. Human bestialityC. Noble savagesD. Divinity of manAnswer: B (P401)2. Henry David Thoreau’s work, ________, has always been regarded as a masterpiece of the New England Transcendental Movement.A. WaldenB. The PioneersC. NatureD. "Song of Myself"Answer: A (P402)3. "Nothing is at last sacred but the integrity of your own mind" is a famous quote from______’s writings.A. Walt WhitmanB. Henry David ThoreauC. Herman MelvilleD. Ralph Waldo EmersonAnswer: D (P402)4. ’Leaves of Grass’ commands great attention because of its uniquely poetic embodiment of________, which are written in the founding documents of both the Revolutionary War and theAmerican Civil War. A. the democratic ideals B. the romantic ideals C. the self-reliance spirits D. the religious ideals Answer: A (P447)5. According to Whitman, the genuine participation of a poet in a common cultural effort was to behave asa supreme_________.A. democratB. individualistC. romanticistD. leaderAnswer: B (P448)6. The period before the American Civil War is generally referred to as ___________.A. The Naturalist PeriodB. The Modern PeriodC. The Romantic PeriodD. The Realistic PeriodAnswer: C (P399)7. In the following works, which sign the beginning of the American literature?A. The Sketch BookB. Leaves of GrassC. Leather Stocking TalesD. Adventures of Huckleberry FinnB (P399)8. _____is the author of the work ’The Legend of Sleepy Hollow’.A. Washington IrvingB. James JoyceC. Walt WhitmanD. William Butler YeatsAnswer: A (P404)9. Washington Irving’s ’Rip Van Winkle’ is famous for_________.A. Rip’s escape into a mysteriousB. The story’s German legendary source materialC. Rip’s seeking for happinessD. Rip’s 20-years sleepAnswer: D (P406)10. Which of the following statement is not true about Washington Irving?A. Washington Irving is regarded as Father of the American short stories.B. Irving’s relationship with the Old World in terms of his literary imagination can hardly be ignored considering his success both abroad and at home.C. Irving’s taste was essentially progressive or radical.D. Washington Irving has always been regarded as a writer who "perfected the best classic style that American literature ever produced."Answer: C (P403---406)11. The Publication of ______established Emerson as the most eloquent spokesman of New England Transcendentalism.A. NatureB. Self-RelianceC. The American ScholarD. The Over-SoulAnswer: A (P420)12. The phrase "a transparent eye-ball’ compares philosophical mentation of Emerson’s. It appears in_________.A. The American ScholarB. NatureC. The over SoulD. Essays: Second SeriesAnswer: B (P423)13. In 1837, Ralph Waldo Emerson made a speech entitled _______at Harvard, which was hailed by Oliver Wendell Holmeasas :Our Intellectual Declaration of Independence".A. "Self-Reliance"B. "Divinity School Address"C. "The American Scholar"D. "Nature"Answer: C (P423)14. _____is the most ambivalent (有争议的) writers in the American literary history.A. Nathaniel HawthorneB. Walt WhitmanC. Ralph Waldo EmersonD. Mark TwainAnswer: A (P429)15. "There is evil in every human heart, which may remain latent, perhaps, through the whole life; but circumstances may rouse it to activity", which author of the following authors does the mention belong to________.A. Washington IrvingB. Ralph Waldo EmersonC. Nathaniel HawthorneD. Walt WhitmanAnswer: C (P431)16. In Hawthorne’s novels and short stories, intellectualsusually appear as________.A. saviorsB. villainsC. commentatorsD. observersAnswer: B (P432)17. All of the following are works by Nathaniel Hawthorne except_______.A. The House of the Seven GablesB. White JacketC. The Marble FaunD. The Blithedale Romance Answer: B (P431)18. Walt Whitman is radically innovative in the form of his poetry. What he prefers for his new subject is__________.A. free verseB. blank verseC. lyric poemD. heroic coupletAnswer: A (P450)19. Which of the following features cannot characterize poems by Walt Whitman?A. Lyrical and well-structuredB. Free-flowingC. Simple and rather crudeD. Conversational and casual Answer: A (P450---451)20. " The horizon’s edge, the flying sea-crow, the fragrance of salt marsh and shore mud. These became part of that child who went forth every day, and who now goes, and will always go forth every day." The two lines are taken from____________.A. "There Was a Child Went Forth" by Walt WhitmanB. "In a Station of the Metro" by Ezra PoundC. "Cavalry Crossing a Ford" by Walt WhitmanD. "Ulysses" by JoyceAnswer: A (P454)21. "Moby Dick" is regarded as the first American_________.A. Prose epicB. Comic epicC. Dramatic fictionD. Poetic fictionAnswer: A (P460)22. The giant Moby Dick may symbolize all EXCEPT________.A. mystery of the universeB. sin of the whaleC. power of the great NatureD. evil of the worldAnswer: B (P461)23. Which of the following comments on the writings by Herman Melville is not true?A. "Bartleby, the Scrivener" is a short story.B. "Benito Cereno" is a novella.C. The Confidence---Man has something to do with the sea and sailors.D. Moby-Dick is regarded as the first American prose epic.Answer: C (P459---460)24. The Transcendentalists believe that, first, nature is ennobling, and second, the individual is____, therefore, self-reliant.A. insignificantB. vicious by natureC. divineD. forward-lookingAnswer: C (P402)II. Read the quoted part and answer the questions:1. "Time grew worse and worse with Rip Van Winkle as years of matrimony rolled on: a tart temper mellows with age, and a sharp tongue is the only edge tool that grows keener by constant use. For a long while he used to perpetual club of the sages, philosophers, and other idle personages of the village. Questions:1) Please identify the author and the title of the work.2) What’s the meaning of this passage?参考答案:1) This is an excerpt from "Rip Van Winkle" by Washington Irving. (P408)2) With his wife’s dominance at home, the situation became harder and harder f or Rip Van Winkle. His wife’s temper became worse and she scolded him for more often. He had to stay in the club with idle people. (P407)附:Question: Please describe the changes Rip Van Winkle experienced.Answer: 1) Rip Van Winkle was the hero in Irving’s works. He was a good-natured man, a henpecked (惧内的,妻管严的) husband.2) Because his wife’s shrewish (泼妇一样的) treatment, Rip had to escape from his home to the little inn in the village. When it failed to give him some restful air, he had to go hunting in the high mountain, where Rip met a stranger, and the man asked Rip to carry keg for him. Then Rip reached the place in the valley, where many strangers were playing nine-pins. Later Rip got drunk after drinking the liquor, which made him sleep for 20 years.3) Rip woke up as an old man, entering the village learned that his wife had died, he got the freedom of his own,; and the American had been dependent from the control of Britain, he had changed from a subject of the King (George III) into a citizen of the independent new U.S.....2. " I celebrated myself, and sing myself,And what I assume you shall assume,For every atom belonging to me as good belongs to you"Questions:。
Emily Dickinson (1830-1886) I ' m Nobody!I ' m Nobody! Who are you? Are you Nobody too? Then there ' s a pair of us!Don' t tell, they ' d banish us, you know!How dreary to be Somebody! How public — like a Frog — To tell your name the livelong June To an admiring Bog!当个大人物多么的无趣, 就像只青蛙一在漫长的六月 公开地向赞扬它的沼泽 宣扬它的大名。
The author uses the first narration to have a secret talk with the readers. Thetheme of the talk is thefame burden. The author is happy that she is nobody and asked the reader not to unclose her identity. She is satisfied with her current life.The theme of the poem is that to live a peaceful life with no fame is a wise idea. The complicated society is not fit for the author.Simile : “ How public — like a frog …”The author compares the public person or somebody to frogs, they have no freedom, hypocritical and have to share with others their own things Questions 1. Who ar e the “ pair of us ” and “ they ” in this poem? 2. What does “ an admiring bog ” really mean? 3. What is the theme of this poem? 4.Do you want to be “nobody ” or“somebody ” ? Explain your reasons.Ezra Pound (1885 — 1972)In a Station of the MetroThe apparition of these faces in the crowd; Petals on a wet, black bough我是无名之辈,你是谁? 你也是无名之辈吗? 那我们不就是一对了! 不要张扬一你知道,他们会赶 走我们的。
人群中这些面庞的闪现;湿漉的黑树干上的花瓣。
(赵毅衡) 人群中,这些面孔的鬼影;潮湿的黑树枝上的花瓣。
(余光中)这几张脸在人群中幻景般闪现;湿漉漉的黑树枝上花瓣数点。
(飞白)Theme: This poem is an observation of the poet of the human faces seen in a Paris subway station or a description of a moment of sudden emotion at seeing beautiful faces in a Metro in Paris. He sees the faces, turned variously toward light and darkness, like flower petals which are half absorbed by, half resisting, the wet, dark texture of a bough.The one image in this poem : This poem is probably the most famous of all imagist poems. In two lines it combines a sharp visual image or two juxtaposed images(意象叠加) "Petals on a wet , black bough"with an implied meaning. The faces in the dim light of the Metro suggest both the impersonality and haste of city life and the greater transience of human life itself. The word "apparition" is a well-chosen one which has a two-fold meaning: Firstly, it means a visible appearance of something real. Secondly, it builds an image of a ghostly sight, a delusive and unexpected appearance.Pound uses the fewest possible words to convey an accurate image, which is the principle of the Imagist poetry. This poem looks to be a modern adoption of the haiku form of Japanese poetry which adapts the 3-line, 17 syllable and where the title is an integral part of the whole. The poem succeeds largely because of its internal rhymes: station/apparition; Metro/petals/wet; crowd/bough. Its form was determined by the experience that inspired it, involving organically rather than being chosen arbitrarily.This short piece illustrates his imagistic talent because the entire poem deals with images alone. It is not complex; rather, the two-line poem is straightforward and to the point. The poem is extremely short, but it seems intriguing and has a deep message about the beauty of human beings.Robert Frost (1874-1963) The Road Not Taken (1915)Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth. (Stanza One---- Describes Situations)Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same.(Stanza Two ——Decides to Take Less-travelled Road)And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day!这些面孔浮现于人群; 花瓣潮湿的黑树枝(颜元黄色树林里分出两条路, 我很难办,我一人把步散, 不能同时都涉足,我踌躇, 顺着一条路我望向远处, 直到它在树丛下边转弯。
再看另一条,也同样可爱, 或许还有更大的说服力, 因为它茸茸如草待人踩; 那边的足迹,就这点说来, 留下的印痕也难分彼此。
Yet knowing how way leads on to way, I doubted if I should ever come back.(Stanza Three---- Continues Description of Road)I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I-- I took the one less traveled by, And that has made all the difference. (StanzaFour ——Recalls the Road Taken and Not Taken)The theme : This poem seems to be about the poet , walking in the woods inautumn, hesitating for a long time and wondering which road he should take since they are both pretty. In reality, this is a meditative poem symbolically written. It concerns the important decisions which one must take in the course of life, when one must give up one desirable thing in order to possess another. Then, whateverthe outcome, one must accept the consequences of one's choice for it is not possible to go back and have another chance to choose differently. In the poem, he followed the onewhich was not frequentlytravelled by. Symbolically, he chose to follow an unusual, solitary life; perhaps he was speaking of hischoice to become a poet rather than some common profession. But he always remembered the road which he might have taken , and which would have given him a different kind of life.Frost claims that he wrote this poem about his friend Edward Thomas, with whom he had walked many times in the woods near London. Frost has said that while walking they would come to different paths and after choosing one, Thomas would always felt wondering what they might have missed by not taking the other path.About the poem, Frost asserted, “Youhave to be careful of that one; it 'astricky poem — very tricky. Superficially, the poem has been and continues to be used as an inspirational poem, encouraging self-reliance, not following where others have led. But a close reading of the poem proves not so.Language: This poem is written in classic five-line stanzas, with the rhyme scheme a-b-a-a-b andconversational rhythm. The poet uses "the road " to symbolize life's journey.Reflective Questions:1. According to this poem, is Frost an innovative poet or not? Why?2. What does the speaker do when facing two diverged roads? What is the speaker tial resiponse?3. Describe the similarities and differences of these two roads. Why does he choose the other road?4. How do you understand the word “ sigh ” ?Is it a kind of nostalgic relief or regret?The word “ sigh ” is a tricky word. Because sigh <an be interpreted into nostalgic relief or regret. If it is the relief sigh, then the difference means the speaker feels glad with the road he took. If it is the regret sigh, then the difference would not be good, and the speaker would be sighing in regret.铺满落叶没有脚步踩黑。