Contents
Keynote Speeches: The Flowing Landscape & the Cross-boarder Study Wang Yichuan: The Cross-module Collage of Chinese-language Cinema—the New Cinematic Landscape of the Mainland, Taiwan and Hong Kong
since 21st century (1)
Stanley Rosen: Can China Devise a Strategy to Promote Its FilmsAbroad? (8)
Sheldon Lu: Chinese-language Cinema or Sinophone Cinema? A Comparison of Two CriticalConcepts (11)
Li Fengliang: Copyright Operation of Chinese Cinema: Dilemma andStrategy (12)
Mary Ann Doane: The Face in Silent Cinema and the Discourse of the Universal (13)
Keynote Speeches: Cultural Dissemination & Industrial Coopetition Huang Huilin：The Dissemination Abroad of Chinese Cinema and Its Influence (16)
Jia Leilei: Cultural Value: The Core Competitive Power of Chinese FilmIndustry (26)
Jiao Xiongpin:Transcultural Challenge of Information Revolutionary (27)
Chen Linxia:The Foreign Film Markets in North American in New Age and the International Competition of Chinese-language Cinema—an Empirical Study on the Foreign Film Markets in NorthAmerica(2000-2012) (28)
Chen Xihe: The Dissemination Abroad of Chinese Art Cinema (41)
Panel One: Competition and Interaction：Hollywood & China Huke:The Influence of the Conventional Concept of American Cinema on Recent Chinese creative Cinematic works (59)
Huang Shixian:An Idealism Way: Exploring the International Dimension of C h i n e s e-l a n g u a g e C i n e m a a n d C r e a t i n g i t s N e w C u l t u r a l S u b j e c t i v i t y (60)
Tan Ye:Hollywood Influence and AmericanReceptive Pattern of Chinese Cinem a (62)
Li Yizhong:Public Critical Reviews of the Chinese Films in theU.S (63)
Zhou Bin:Constantly Strengthening the Cultural Power of Chinese-language P o w e r (72)
Fan Zhizhong & Wu Xinfeng:Chinese Image of Early Hollywood (82)
Robert Chi:The Other Shore: Chinese-Language Cinema and Life of Pi as a N o n-C h i n e s e-La n g u a g e F i l m (91)
Liu Fan:High-end Industrial Chain: the Industrial Base Related to Strategies by C h i n e s e C i n e m a t o H o l l yw o o d (92)
Cheng Gong: Comparative Study on Physical Presentation of Male Stars and Masculinity in ContemporaryChinese and American Urban Cinema (93)
Yao Rui:The Narrative Strategy of China Commercial Films In The Era of Globalization (100)
Zhao Yi: From “Export” to “Import”: The Transnational Imagination of Shanghai Theme Film Since 1990 (105)
Panel Two:Historical Retrospect:Transformation & Legacy
Nie Xinru:The Milestone Position of WITHERED TREES REVIVE in History of C h i n e s e C i n e m a (107)
Yu Ji:“Chinese-language Cinema”: Constructing in a Base of its Cultural T r a d i t i o n (120)
Chen Jie:Zhonghua film company and the Shnghai films during thefall (121)
Liu Yuqing: China On Film: A Century of Exploration, Confrontation, and C o n t r o v e r s y (137)
Huang Wangli &Leng Ping:A Constructor of Melodrama Mode: A Historical E x a m i n a t i o n o n B u W a n g c a n g‟s F i l m s (148)
Wan Chuanfa: The Influence of May Fourth Spirits and Yanan Tradition on Chinese C i n e m a (166)
Ying Bao:Dialect Comedy and Trans-Regional Flows of Chinese-Language Cinema: The Case of “The House of 72 Tenants” (177)
Qi Wei:Revisiting the 1980s: Theory Migration and Concept Reconstruction--the Influence of the 1980‟s Translated Western Theory on Chinese Film Study..182 Xuhong:A Discussion on Hou Yao ...s Imagination of Modern Democracy in ...Hypocrite‟ (1926).. (196)
Shao Yulian:The imagination of "the others" ――He Feiguang and Chinese World Wa r I I F i l m (205)
You Xi: Different Imagination of the Second World War：A Comparative Study of the WarComediesof China and Italy (215)
Zheng Shuwen: Remaking Star: Huang liushuang and its Trans-textuality Within the R e p u b l i c C h i n a‟s M e d i a N a r r a t i o n (221)
Xian Jia:From Shanghai to Hongkong: Genre Transformation and Cultural Identity in Yue Nan's Early Films (234)
Panel Three: Film Industry: Capital & Marketing
Yu Ji:The guerrilla War of Movie in China (238)
Wang Haizhou:The Pluralism and the Syncretical Transformation of C h i n e s e-l a n g u a g e C i n e m a (239)
Zhang Zhihua:Romance and Biography--New field of Chinese movie romanticized narration and its development with the movie industry since the 21st c e n t u r y (249)
Zhang Huiyu:The Developing Pattern and Trend of Chinese Film ——Reflections on
