娜塔莉波特曼哈佛演讲

工匠制度作者：杨于泽来源：《支点》2016年第12期核心提示：企业工匠精神并不简单等同于个人修为，产品品质更多取决于企业管理。

工匠精神现在成了一个热词，被人们当成“中国制造”提档升级的希望所在。

但很多人片面地把它当成一种精神性、道德性、道义性的东西。

百度百科把工匠精神定义为一种“理念”，又说它是“创造精神、精益求精的品质精神、用户至上的服务精神”，这使工匠精神有变成一种道德倡议的危险。

好莱坞影星娜塔莉·波特曼在哈佛毕业典礼演讲中提到，她和丈夫去东京一家著名寿司店吃寿司，发现寿司好吃到让她这个素食主义者都欲罢不能，但发现店里只有6个座位。

她一开始很好奇为什么不扩张，后来朋友向她解释：东京所有最棒的饭店都这么小，而且只做一样料理，因为他们要把事情做好做漂亮，关键不在于数量，而在于对事物追求至善至美过程中的愉悦。

诸如此类的故事，又似乎把工匠精神理解成一种手工业生产方式，而现代商品生产注定了只能是工业化大生产。

要中国制造向日本寿司店学习工匠精神，本身就是一种方向性错误。

其实工匠精神的前提，是存在工匠制度。

在这种制度下，工匠呈现出某种精神状态，比如精益求精、用户至上。

以前，商品生产处于手工作坊状态，一个人或三两个人包揽全部工艺流程，从原料采集到拿出最终产品，其中的品质责任是非常明确的，工匠必须对自己的产品质量负责。

在这种情况下，工匠都具有一种对产品品质负责的意识，产品品质能得到基本保证。

在工业化大生产的今天，产品品质是由企业的质量管理来实现的。

工匠制度在形式上消失了，但其本质并没有消亡，而是转化为现代化专业分工与质量管理。

按照美国社会学家桑内特的说法，其实工人、工程师、画家、音乐家、医生、律师甚至学者等都是工匠，他们靠“术业有专攻”安身立命。

现在的工人个体不再对手机、汽车这种终端产品的品质负责，但企业通过质量管理将这种责任分解到产品线的各个环节。

在工业化大生产中，产品品质与其说靠一种精神或理念，还不如说取决于企业管理。

2023年三支一扶之三支一扶申论能力检测试卷B卷附答案大题（共5题）一、给定资料1：2016年1月，中央一号文件再次聚焦“三农”。

与不久前闭幕的中央农村工作会议的精神相一致，文件强调推进农业“供给侧结构性改革”，让农业成为充满希望的朝阳产业。

2015年，我国粮食产量喜迎“十二连增”，然而在这傲人的成绩背后，却也存在一些不可忽视的问题。

长期以来，我国农业品质低下、效益不高等问题突出，与人民群众日益提高的需求明显脱节。

粗放式的农业生产带来的农产品安全问题，屡屡牵动着社会各界的神经，让人们在消费时顾忌颇多，最终导致国外的农产品大行其道，而国内的农产品则屡陷价格践踏，价格伤农事件频出，甚至出现“奶农倒奶”等极端情况。

表面上看，这是农产品过剩导致的结果，或者农产品流通环节出了问题，实际上病根却在供给端：我国农民提供的农产品都是中低端农产品，一方面这类产品的消费需求日益萎缩，另一方面彼此之间形成了同质化恶性竞争。

B省自2004年国家实行粮食最低收购价政策以来，共启动了25次最低收购价执行预案和8次临时存储收购。

多次启动的最低收购价收储表明，B省产出的部分粮食在质量上不能满足消费者的需求。

B省农经学会陈会长说：“虽然我国粮食产量达到十二连增，然而去年粮食进口量可能也创下新纪录。

现在逢年过节，大家买的年货很多是泰国、日本的大米，因为他们的大米质量好，哪怕价格高一些，消费者们也愿意购买”。

针对B省目前的情况而言，农业供给侧改革，重点在于去库存、降成本、补短板，改善农业生产上的薄弱环节，加强农业基础设施建设，同时提高农业领域的科学技术水平。

“在我看来，要达到这些目标，必须首先实现‘两个提高’，即提高农产品的有效供给和提高全要素生产率。

”陈会长表示，实现农产品的有效供给，最重要的是抓住农业生产的中间环节。

在国外，农业会有一些行业协会，通过调度和指导，告诉农户当年种什么品种、什么品质的作物会有好销量，有效地把农户和市场对接起来。

美国毕业典礼上名人致辞在美国毕业典礼上，最让人感动的和最引人深思的就是名人的致辞了。

下面是搜集整理的美国毕业典礼上名人致辞，欢迎阅读。

更多资讯请继续关注毕业典礼栏目。

美国大学的毕业典礼，最引人注意的就是毕业典礼上的名人致辞。

虽然每年那些社会名流参加本校的毕业典礼致辞的内容往往大同小异，无外乎“感谢你们的父母、不要忘记梦想、努力去改变世界吧……”但透过这些演讲，的确可以一窥美国式的激励教育。

而且，或许某场演讲中的一句话，会击中某个学子的心灵，让他毕业后的人生之路有所不同。

蒂姆库克“价值观和行动力能改变世界”美国苹果公司CEO蒂姆.库克在乔治华盛顿大学的毕业典礼上，讲到“要始终不渝地坚持你的价值观，这将会改变你的人生，并最终改变世界”。

“我们相信，有价值观和行动力的公司真能改变世界。

个人也做得到。

毕业生们，你们的价值观很重要，那是你们的北极星。

我们需要你们这代人中最优秀的，成为政府、商界、科学界、艺术界、新闻业和学术领域的领头人。

你们不需要在干好事和干得好之间选择，那是个假命题，今天尤其如此。

”“(乔布斯)让我相信，如果我们努力工作，制造好的产品，我们可以改变世界。

X年过去了，我从没改变信念。

”“无论你们接下来做什么，世界都需要你们的能量、激情和进步的冲劲。

不要因为风险而退缩，也不要听那些愤世嫉俗和批评的声音。

历史很少由一个人创造，但不要忘记那真的可能发生。

那个人可以是你，应该是你，也必须是你。

”克里斯托弗诺兰“不要痴迷于梦想，应把握现实”《蝙蝠侠》系列导演克里斯托弗.诺兰在普林斯顿大学毕业演讲中，规劝毕业生不要执着于虚无的梦想，应把握现实。

“按照毕业典礼发言的传统，演讲人该说些‘追逐梦想’之类的话。

我不想那么做，我希望你们能追求现实。

人们总是将现实看做梦想的穷亲戚，在我看来，我们的梦想是虚拟的现实，我们喜爱的这种抽象的东西，不过是现实的子集。

”诺兰还说，进入社会后你会发现，你原本以为自己的知识储备如同可以前进的轮子，实际上不过是块四处是洞的瑞士奶酪。

2023年三支一扶之三支一扶申论每日一练试卷B卷含答案大题（共10题）一、给定资料：“70后不愿种地，80后不会种地，90后不谈种地。

”这是在农村时常听到的一句口头禅。

如今这一状况有望得到改观。

日前，S省F 县20名职业农民收到了某职业技术学院的录取通知书，将接受为期三年的全日制高职教育。

对此，有不少人质疑，农民有必要跑到“象牙塔”学种地吗？在A村的一位“瓜大姐”，她早年务工攒下了30万元积蓄，后来在土地流转惠民政策的感召下，满腔热忱回乡创业，流转来50亩地种植西瓜，结果对现代大棚管理技术掌握不精，西瓜频遭病害，第二年就赔了20万元。

“瓜大姐”如是感慨：“出身农民，未必真会种地；现代农民，天天得学种地。

”这正是我国农业生产经营长期以来水平较低、产业效益不高的一个缩影。

而这个问题，不仅导致了很多农民特别是年轻一代“逃离”农业，而且关系到“饭碗能否端在国人手里”的国家粮食安全战略。

“谁来种地”“如何种地”等难题，亟待求解。

随着劳动分工细化、专业化程度日益提高，职业农民队伍的打造，正在促使“农民”由身份向职业转变。

打个比方，培育职业农民就像训练“职业经理人”，关键在于能否运用专业水平让产业和项目发挥最大效益。

那么，如何为职业化的劳动者提供“职业”的培养与发展环境？来自S省的探索，为人们提供了一个启示：与过去“零敲碎打”式的农技培训下乡等做法相比，以打造新型现代化农业经营主体、重构农村劳动力结构为指向的职业农民培育，提供了农民培训的一种“升级版”。

专业化、系统化的培养环境，将有助于孵化出高素质的职业精英。

高等职业院校成功牵手职业农民，也是职业教育更好适应经济社会需求的有益尝试。

长期以来，困扰职业教育工作的问题是：一方面，个别专业设置与社会需求脱节，学生难以学以致用；另一方面，相关从业者“嗷嗷待哺”，却找不到提升的门路。

而此次“职业教育+职业农民”的模式，将教育资源配置与国家政策导向、经济社会发展需要有效衔接，既符合职业教育本身的指向，也为农业现代化建设和农业持续健康发展提供了人力保障，打通了供需两端，溢出的是人才红利。

娜塔莉·波特曼的哈佛毕业典礼演讲稿分析Natalie Portman's Harvard Graduation Speech: An AnalysisNatalie Portman, a renowned actress and activist, delivered the commencement speech at Harvard University in 2015. Having graduated from Harvard herself in 2003 with a degree in Psychology, Portman was the perfect candidate to address the graduating class of 2015. Her speech touched upon a variety of themes ranging from gender inequality in Hollywood to the importance of creativity and empathy in today's world. In this article, we shall analyze and break down Portman's speech to understand its key themes and ideas.Opening remarksPortman began her speech by reminiscing about her own graduation day and how she had stood on the same steps as the graduating class of 2015. She acknowledged the significance of the day for the graduates and their families and friends and promised to deliver a speech that would be "short, sweet, and memorable." She then launched into her first theme - the value of education and the importance of using it to make a difference in the world.The value of educationPortman underscored the importance of education in enabling individuals to become changemakers in the world. She emphasized that education was not just about getting good grades or a high-paying job, but about using what one had learned to make a positive impact. She mentioned how she had used her own education in Psychology to write a paper on "the neuroscience of pleasure" which later became the basis for her movie, Black Swan. She urged the graduates to use their own education to pursue their passions and make a difference in the world.Gender inequality in HollywoodPortman then spoke about the issue of gender inequality in the entertainment industry, drawing upon her own experiences as an actress. She highlighted the lack of female directors and producers in Hollywood and how this results in fewer opportunities for women. She called for greater representation of women in all aspects of the industry, stating that "female representation in the arts is not a luxury, it's a necessity." She also encouraged the graduatesto challenge the status quo and fight for greater equality in their own careers and workplaces.The importance of empathy and creativityPortman's final theme was that of empathy and creativity, which she argued were essential qualities in today's world. She spoke about the need for individuals to connect with and understand others who were different from themselves, and how empathy could lead to greater peace and harmony. She also emphasized the importance of creativity in bringing about positive change, citing the examples of artists and writers who have used their craft to inspire change in society.ConclusionPortman's speech was a powerful and inspiring addressthat touched upon a range of themes and issues that are relevant in today's world. Her emphasis on the value of education, the need for greater gender equality in Hollywood, and the importance of empathy and creativity in today's world resonated deeply with the audience. By urging the graduatesto use their own education to make a difference, challenge the status quo, and cultivate empathy and creativity, Portmanleft a lasting impression and inspired all those in attendance to go out and make a positive impact in the world.。

Hello ，class of 2015.I am so honest to be here today.Dean Khurana ，faculty ，parents ，and most especially graduating students.Thank you so much for inviting me.I have to admit that today ，even 12years after graduation.I ’m still insecure about my own worthless.I have to remind myself today you ’re here for a reason.Today I feel much like I did when I came to Harvard Yard now so much affected as to make it almost impossible for her to appear tolerably cheerful.Their engagements at Rosings were as frequent during the last week of her stay as they had been at first.The very last evening was spent there ；and her Ladyship again enquired minutely into the particulars of their journey ，gave them directions as to the best method of packing ，and was so urgent on the necessity of placing gowns in the only right way ，that Maria thought herself obliged ，on her return ，to undo all the work of the morning ，and pack her trunk afresh.When they parted ，Lady Catherine ，with great condescension ，wished them a good journey ，and invited them to come to Hunsford again next year ；and Miss De Bourgh exerted herself so far as to curtsey and hold out her hand to both.激，连强颜欢笑也几乎办不到了，这是可想而知的。

大学生必看的5个国外名人毕业典礼演讲节选1. 乔布斯（steve jobs）在斯坦福毕业典礼的演讲——stay hungry. stay foolish. when i was 17， i read a quote that went something like：“if you live each dayas if it was your last， someday you’ll most certainly be right.” it made an impressionon me， and since then， for the past 33 years， i have looked in the mirror everymorning and asked myself：“if today were the last day of my life， would i wantto do what i am about to do today？” and whenever the answer has been “no” fortoo many days in a row， i know i need to change something.当我十七岁的时候，我读到了一句话：“如果你把每一天都当作生命中最后一天去生活的话，那么有一天你会发现你是正确的。

”这句话给我留下了深刻的印象。

从那时开始，过了33 年，我在每天早晨都会对着镜子问自己：“如果今天是我生命中的最后一天，你会不会完成你今天想做的事情呢？”当答案连续很多次被给予“不是”的时候，我知道自己需要改变某些事情了。

2. 杰夫·贝佐斯（jeff bezos）在普林斯顿毕业典礼的演讲——we are our choices.i didn’t think i’d regret trying and failing. and i suspected i would alwaysbe haunted by a decision to not try at all.我认为我不会为失败地尝试而遗憾，但是有所决定但完全不去付诸行动则可能会一直煎熬着我。

娜塔莉波特曼哈佛毕业演讲中英全文娜塔莉·波特曼5月22日回母校演讲。

她与即将毕业的学弟学妹们分享的是她的不完美和不自信。

以下是小编收集的《娜塔莉波特曼哈佛演讲》，仅供大家阅读参考!娜塔莉波特曼哈佛毕业演讲内容全文(英文版) Hello, class of am so honorest to be here Khurana,faculty,parents,and most especially graduating students. Thank you so much for invating me. The Senior Class Committee. it’s genuinely one of the most exciting things I’ ve ever been asked to do.I have to admit primarily because I can’t deny it as it was leaked in the WikiLeaks release of the Sony hack that hen I was invited I replied and I directly quote my own email.” Wow! This is so nice!””I’m gonna need some funny ghost writers. Any ideas? ”This initial response now blessly public was from the knowledge that at my class day we were lucky enough to have Will Ferrel as class day speaker and many of us were hung-over, or even freshly high mainly wanted to I have to admit that today, even 12 years after graduation. I’m still insecure about my own have toremind myself today you’re here for a I feel much like I did when I came to Harvaed Yard as a freshman in you guys were,to my continued shocked and horror, still in felt like there had been some mistake, that I wasn’t smart enough to be in this company, and that everytime I opened my would have to prove that I was’t just dumb I start with an apology. This won’t be very funny. I’m not a I didn’t get a ghost I am here to tell you is giving you all diplomas tomorrow. You are here for a reason. Sometimes your insecurities and your inexperience may lead you, too, to embrace other people’s expectations, standards, or values. But you can harness that inexperience to carve out your own path, one that is free of the burden of knowing how things are supposed to be, a path that is defined by its own particular set of reasons.That other day I went to an amusement park with my soon-to-be 4-yeas-old son. And I watch him play arcade games. He was incredible focused, throwing his ball at the target. Jewish mother than I am, I skipped 20 steps and was already imagining him as a major league player with what is his arm and his arm and his concentration.But then I realized what he want. He was playing to trade in his tickets for the crappy plastic toy. The prize was much more excting than the game to get it. I of course wanted to urge him to take joy and the challenge of the game, the improvement upon practice, the satisfaction of doing something well, and even feeling the accomplishment when achieving the game’s goals. But all of these aspects were shaded by the 10 cent plastic men with sticky stretchy blue arms that adhere to the walls. That-that was the prize. In a child’s nature, we see many of our own innate tendencies. I saw myself in him and perhaps you do too. Prizes serve as false idols everywhere(圣经里的false idol). Prestige, wealth, fame, power. You’ll be exposed to many of these, if not all. Of course, part of why I was invited to come to speak today beyond my being a proud alumma is that I’ve recruited some very coveted toys in my life including a not so plastic, not so crappy one: an Oscar. So we bump up against the common troll I think of the commencement address people who have achieved a lot telling you that the fruits of the achievement are not always to be trusted. But I think that contradictioncan be reconciled and is in fact instructive. Achievement is wonderful when you know why you’re doing it. And when you don’t know, it can be a terrible trap.I went to a public high school on Long Island, Syosset High School. Ooh, hello, Syosset! The girls I went to school with had Prada bags and flat-ironed hair. And they spoke with an accent I who had moved there at age 9 from Connecticut mimicked to fit in. Florida Oranges, Chocolate cherries. Since I ’m ancient and the Internet was just starting when I was in high school. People didn’t really pay that much of attention to the fact that that I was an actress. I was known mainly at school for having a back bigger than I was and always having white-out on my hands because I hated seeing anything crossed out in my note books. I was voted for my senior yearbook ‘ most likely to be an contestant on Jeopardy ’ or code for nerdiest. When I got to Harvard just after the release of Star Wars: Episonde 1, I knew I would be staring over in terms of how people viewed me. I feared people would have assumed I’d gotten in just for being famous, and that they would think that I was not worthy of the intellectual rigor here. Andit would not have been far from the truth.When I came here I had never written a 10-pape paper before. I’m not even sure I’ve written a 5-page paper.I was alarmed and intimidated by the calm eyes of a fellow student who came here from Dalton or Exeter who thought that compared to high school the workload here was easy. I was completely overwhelmed and thought that reading 1000 pages a week was unimaginable, that writing a 50-page thesis is just something I could never do. I Had no idea how to declare my intentions. I could’t even articulate them to myself. I’ve been acting since I was 11. But I thought acting was too frivolous and certainly not meaningful. I came from a family of academics and was very concerned of being taken seriously.In contrast to my inability to declare myself, on my first day of orientation freshman year, five separate students introduced themselves to me by saying, I’m going to be president. Remember I told you that. Their names, for the record, were Bernie Sanders, Marco Rubio, Ted Cruz, Barack Obama, Hilary Clinton. In all seriousness, I believed every one of them. Theirbearing and self-confidence alone seemed proof of their prophecy where I couldn’t shake my self-doubt. I got in only because I was famous. This was how others saw me and it was how I saw myself. Driven by these insecurities, I decided I was going to find something to do in Harvard that was serious and meaningful that would change the world and make it a better place.At the age of 18, I’d already been acting for 7 years, and assumed I find a more serious and profound path in college. So freshman fall I decided to take neurobiology and advanced modern Hebrew literature because I was serious and intellectual. Needless to say, I should have failed both. I got Bs, for your information, and to this day, every Sunday I burn a small effigy to the pagan Gods of grade inflation. But as I was fighting my way through Aleph Bet Yod Y shua in Hebrew and the different mechanisms of neuro-response, I saw friends around me writing papers on sailing and pop culture magazines, and professors teaching classes on fairy tales and The Matrix. I realized that seriousness for seriousness’s sake was its own kind of trophy, and a dubious one, a pose Isought to counter some half-imagined argument about who I was. There was a reason that I was an actor. I love what I do. And I saw from my peers and my mentors that it was not only an acceptable reason, it was the best reason.When I got to my graduation, siting where you sit today, after 4 years of trying to get excited about something else, I admitted to myself that I couldn’t wait to go back and make more films. I wanted to tell stories, to imagine the lives of others and help others do the same. I have found or perhaps reclaimed my reason. You have a prize now or at least you will tomorrow. The prize is Harvard degree in your hand. But what is your reason behind it ? My Harvard degree represents, for me, the curiosity and invention that were encouraged here, the friendships I’ve sustained the way Professor Graham told me not to describe the way light hit a flower but rather the shadow the flower cast, the way Professor Scarry talked about theatre is a teansformative religious force how professor Coslin showed how much our visual cortex is activated just by granted these things don’t necessarily help me answer the most commonquestion I’m asked: What designer are you wearing? What’s your fitness regime? Any makeup tips? But I have never since been embarrassed to myself as what I might previously have thought was a stupid question. My Harvard degree and other awards are emblems of the experiences which led me to them. The wood paneled lecture halls, the colorful fall leaves, the hot vanilla Toscaninis, reading great novels in overstuffed library chairs, running through dining halls sceaming: Ooh! Ah! City steps! City steps! City steps! City steps!It’s easy now to romanticize my time here. But I had some very difficult times here too. Some combination of being 19, dealing with my first heartbreak, taking birth control pills that since been taken off the market for their depressive side effects, and spending too much time missing daylight during winter mouths led me to some pretty dark moments, particularly during sophomore year. There were several occasions where I started crying in meeting with professors overwhelmed with what I was supposed to pull off when I could barely get myself out of bed in themorning. Moments when I took on the motto for school work. Done. Not good. If only I could finish my work, even if it took eating a jumbo pack of sour Patch Kids to get me through a single 10-page paper. I felt that I’ve accomplished a great feat. I repeat to myself. Done. Not good.A couple of years ago, I went to Tokyo with my husband and I ate at the most remarkable sushi restaurant. I don’t even eat fish. I’m vegan. So that tells you how good it was. Even with just vegetables, this sushi was the stuff you dreamed about. The restaurant has six seats. My husband and I marveled at how anyone can make rice so superior to all other rice. We wondered why they didn’t make a bigger restaurant and be the most popular place in town. Our local friend explain to us that all the best restaurants in Tokyo are that small and do only one type of dish: sushi or tempura or teriyaki. Because they want to do that thing well and beautifully. And it’s not about quantity. It’s about taking pleasure in the perfection and beauty of the particular. I’m still learning now that it’s about good and maybe never done. And the joy and workethic and virtuosity we bring to the particular can impart a singular type of enjoyment to those we give to and of course, ourselves.In my professional life, it also took me time to find my own reasons for doing my work. The first film I was in came out in 1994. Again, appallingly, the year most of you were born. I was 13 years old upon the film’s release and I can still quote what the New York Times said about me verbatim. Ms Portman poses better than she acts. The film had universally tepid critic response and went on to bomb commercially. That film was called The Professional, or Leon in Europe. And today, 20 years and 35 films later, it is still the film people approach me about the most to tell me how much they loved it, how much they moved them, how it’s their favorite movie. I feel lucky that my first experience of releasing a film was initially such a disaster by all standards and measures. I learned early that my meaning had to be from the experience of making film and the possibility of connecting with individuals rather than the foremost trophies in my industry: financial and critical success. And also these initialreactions could be false predictors of your work’s ultimate legacy, I started choosing only jobs that I’m passionate about and from which I knew I could glean meaningful experiences. This thoroughly confused everyone around me: agents, producers, and audiences alike. I made Gotya’s Ghost, a foreign independent film and study our history visiting the produce everyday for 4 months as I read about Goya and the Spanish Inquisition. I made for Vendetta, studio action movie for which I learned everything I could about freedom fighters whom otherwise may be called terrorists, from Menachem Begin to Weather Underground. I made Your Highness, a pothead comedy with Danny McBride and laughed for 3 months straight. I was able to own my meaning ant not have it be determined by box office receipts or prestige. By the time I got to making Black Swan, the experience was entirely my own. I felt immune to the worst things anyone could say or write about me, and to whether the audience felt like to see my movie or not. It was instructive for me to see for ballet dancers once your technique gets to a certain level, the only thing that separates you from others is yourquirks or even flaws. One ballerina was famous for how she turned slightly off balanced. You can never be the best, technically. Some will always have a higher jump or a more beautiful line. The only thing you can be the best at is developing your own self. Authoring your own experience was very much what Black Swan itself was about. I worked with Darren Aronofsky the director who changed my last line in the movie to it was perfect. My character Nina is only artistically successful when she finds perfection and pleasure for herself not when she was trying to be perfect in the eyes of others. So when Black Swan was successful financially and I began receiving accolades I felt honored and grateful to have connected with people. But the true core of my meaning I had already established. And I needed it to be independent of people’s reactions to me. People told me that Black Swan was an artistic risk, a scary challenge to try to portray a professional ballet dancer. But it didn’t feel like courage or daring that drove me do it. I was so oblivious to my own limits that I did things I was woefully unprepared to do. And so the very inexperience that in college had made meinsecure and made me want to play by other’s rules now is making me actually take risks I didn’t even realize were risks. When Darren asked me if I could do ballet I told him I was basically a ballerina which by the way I wholeheartedly believed. When it quickly became clear that preparing for film that I was 15 years away from being a ballerina. It made me work a million times harder and of course the magic of cinema and body doubles helped the final effect. But the point is, if I had known my own limitations I never would take of the risk. And the risk led to one of my greatest artistic personal experiences. And that I not only felt completely free. I also met my husband during the filming. Similarly, I just directed my first film, A Tale of love in Darkness. I was quite blind to the challenges ahead of me. The film is a period film, completely in Hebrew in which I also act with an eight-year-old child as a costar. All of these are challenges I should have been terrified of, as I was completely unprepared for them but my complete ignorance to my own limitations looked like confidence and got me into the director’s chair. Once here, I haveto figure it all out, and my belief that I could handle these things contrary to all evidence of my ability or do so was only half the battle. The other half was very hard work. The experience was the deepest and most meaningful one of my career. Now clearly I’m not urging you to go and perform heart surgery without the knowledge to do so! Making movies admittedly has less drastic consequences than most professions and allows for a lot of effects that make up for mistakes. The thing I’m saying is, make use of the fact that you don’t doubt yourself too much right now. As we get older, we get more realistic, and that includes about our own abilities or lack thereof. And that realism does us no favors. People always talk about diving into things you’re afraid of. That never worked for me. If I am afraid, I run away. And I would probably urge my child to do the same. Fear protects us in many ways. What has served me is diving into my own obliviousness. Being more confident than I should be which everyone tends to decry American kids, and those of us who have been grade inflated and ego inflated. Well. It can be a good thing if it makes you try things you never might have tried.Your inexperience is an asset, and will allow you to think in original and unconventional way. Accept your lack of knowledge and use it as your asset. I know a famous violinist who told me that he can’t compose because he knows too many pieces so when he starts thinking of the note an existing piece immediately comes to mind. Just starting out of your digest strengths is not known how things are supposed to be. You can compose freely because your mind isn’t cluttered with too many pieces. And you don’t take for granted the way how things are. The only way you know how to do things is your own way. You here will all go on to achieve great things. There is no doubt about that. Each time you set out to do something new your inexperience can either lead you down a path where you will conform to someone else’s values or you can forge your own path. Even though you don’t realize that’s what you’re doing. If your reasons are your own, your path, even if it’s a strange and clumsy path, will be wholly yours, and you will control the rewards of what you do by making your internal life fulfilling. At the risk of sounding like a Miss American Contestant, themost fulfilling things I’ve experienced have truly been the human interactions: spending time with women in village banks in Mexico with FINCA microfinance organization, meeting young women who were the first and the only in their communities to attend secondary schools in rural Kenya with free the Children group that built sustainable schools in developing countries tracking with gorilla conservationists in Rwanda. It’s cliché, because it’s true, that helping other ends up helping you more than anyone. Getting out of your own concerns and caring about some else’s life for a while, remind you that you are not the central of the universe. And that in the ways we’re generous or not, We can change course of someone’s life. …have had the most lasting impact. And of course, first and foremost, the center of my world is the love that I share with my family and friends. I wish for you that your friends will be with you through it all as my friends from Harvard have been together since we graduated. Grab the good people around you and don’t let them go. To be or not to be is not the question; the vital question is how to be and how not to be. Thank you! I can’t waitto see you do all the beautiful thins you will do.娜塔莉波特曼哈佛毕业演讲内容全文(中文版)XX届毕业生，你们好。

波特曼的演讲稿中英对照版波特曼：尊敬的先生们、女士们，感谢你们今天能够出席这次演讲。

我很荣幸有机会与大家分享一些关于创新和领导力的想法。

Ladies and gentlemen,I want to thank you all for being here today. I am honored to have the opportunity to share some thoughts with you on innovation and leadership.创新是推动社会前进的力量。

它引领我们超越现状，寻找更好的解决方案。

无论是在科学、技术还是商业领域，创新都是关键。

然而，创新不仅仅依靠个人的努力，更需要一个有创新文化的环境。

Innovation is the driving force behind societal progress. It leads us beyond the status quo, pushing us to find better solutions. Whether in the fields of science, technology, or business, innovation is key. However, innovation does not solely rely on individual efforts; it requires an environment that fosters a culture of innovation.领导力在创新中起着重要的作用。

一个好的领导者能够激励团队成员，鼓励他们提出新想法、尝试新方法。

他们能够提供清晰的愿景和目标，引导团队成员朝着共同的目标努力。

同时，他们也能够承担失败带来的风险，并鼓励团队成员从中学习。

Leadership plays a crucial role in innovation. A good leader can inspire team members, encouraging them to come up with new ideas and try new approaches. They can provide a clear vision and goals, guiding team members towards a common objective. At the same time, they can also take risks of failure and encourage team members to learn from them.当我们谈到领导力时，不仅仅是指对团队的领导，也包括对自己的领导。

娜塔莉·波特曼：13岁出道一炮走红，30岁拿奥斯卡，哈佛高材生由娜塔莉·波特曼主演的传记片《第一夫人》正在国内上映，或许是因为电影早于一年多前就在北美公映过，票房并不理想，但观众对于饰演“第一夫人”杰奎琳·肯尼迪的波特曼却给出了一致的好评。

《第一夫人》童星出道的波特曼，13岁时在电影《这个杀手不太冷》中饰演了一名早熟的小萝莉，一夜成名；18岁考入哈佛大学；30岁站在奥斯卡颁奖礼的舞台上拿到了许多演员梦寐以求的小金人；几乎在同时，收获了爱情与孩子；34岁的时候，她自编自导自演了电影《爱与黑暗的故事》，在片中，她坚持用希伯来语致敬她出生的地方。

然而就是这样一个别人眼中的完美女人，却也曾经历过恐惧与伤害。

在日前美国举行的年度“女性游行”上，娜塔莉·波特曼就分享了她13岁时的遭遇，此后，她试图让自己变得严肃、保守，“以便向世界传达：我是一个值得获得安全和尊重的人。

”试镜《这个杀手不太冷》，曾因年龄小被拒1981年，娜塔丽·波特曼出生于以色列的一个犹太家庭，她是家中的独生女。

3岁时，随父母搬到美国纽约，4岁起开始学习舞蹈，并在当地舞团里表演。

11岁那年，在一家快餐店里，她被星探发现，邀请其做儿童模特，却遭到她的婉拒，因为她说，她还是更愿意做演员。

“从小，我就跟其他孩子有些不一样。

我有野心，我知道自己喜欢什么、想要什么。

为了它们，我奋力拼搏。

”波特曼说。

娜塔莉·波特曼和吕克·贝松1994年，波特曼经人介绍参加《这个杀手不太冷》的试镜，结果在第一轮试镜时就被导演吕克·贝松给刷了下来，理由是——年龄太小。

但波特曼不服气，又找到导演再表演了一次。

至今，仍然能在网络上找到那段24年前的试镜片段，13岁的波特曼镇静大方，特别是那双灵动的眼睛全是戏。

当时负责试镜的导演对她非常满意，“她一坐下就进入了演戏的状态，简直可以直接拍电影了。

”最终，波特曼从2000多个试镜女孩中脱颖而出，拿到了“玛蒂尔达”这个角色，导演吕克·贝松当场就把剧本给了她。

工匠精神演讲稿题目范文工匠精神演讲稿题目范文(一)纪录片《大国工匠》以热爱职业、敬业奉献为主题，讲述了八位“手艺人”的故事。

他们中间，有在中国航天事业中，给火箭的“心脏”——发动机焊接的第一人高凤林，有载人潜水机上被称作“两丝”钳工的顾秋亮，有高铁研磨师宁允展，有港珠澳大桥深海钳工管延安，有捧起大飞机的钳工胡双钱，有錾刻人生、为 APEC会议制作礼物的`孟剑锋，还有捞纸大师周东红。

他们文化不同，年龄有别，但他们都拥有一个共同的闪光点——热爱本职，敬业奉献。

他们之所以能够匠心筑梦，凭的是传承和钻研，靠的是专注与磨砺。

“三百六十行，行行出状元”，这些大国工匠给我们以财富，这就是要深植“劳动光荣、技能宝贵、创造伟大”的观念，继承中国源远流长的工匠精神、精湛手艺，让“中国制造”、“中国创造”释放出更为夺目的光彩。

在这个五光十色、极致物欲横流的当下，对这些成功的工匠们也少不了几倍工资、几套房子、几多升迁的诱惑。

但是，他们都没有为此所动。

因为他们的共同和特殊点，不仅在于技艺精湛，而且在于有一颗热爱祖国，对所从事的事业的爱心和忠心，有一种令人高山仰止、富有职业操守的“工匠精神”。

高凤林的话，代表了大国工匠们的心声：“每每看到我们生产的发动机把卫星送到太空，就有一种成功后的自豪感，这种自豪感用金钱买不到。

”大国工匠，匠心筑梦——每一个从事五金制造的业者，都是一个个工匠，都有一份份责任。

每个业者都应该以同样“大国工匠”的精神尺度，尽职尽责，赢得尊重。

工匠精神演讲稿题目范文(二)传工匠精神，做鲁泰工匠。

通过观看大国工匠的宣传片以及公司车间的大力宣传和弘扬，使我们了解了大国工匠的故事，并深深的被他们的故事所感动,大国工匠的故事也深深地触动了我，是我不禁反思我与他们的差距，不禁梦想向他们靠拢。

每次当我看完大国工匠的宣传片后，我就一次次的问自己，到底什么样的工人，才是大国工匠。

一定是高端科技吗?一定是独一无二吗?一定是奢华卓越吗?都不是!那大国工匠都是什么样的工人?他们都是在第一线辛勤工作的平凡工人，他们有钳工，有捞纸工，有研磨工等等，无一例外，都是平凡的普通工人，他们不是领导，不是富翁，甚至不是高学历，但他们每一个人都靠着对职业技能的完美追求，靠着对技术的忠实传承和钻研，靠着几十年如一日的专注和坚守，与平凡的工作中掌握不平凡的技能，成为国家国宝级的顶级技工，成为一个领域不可或缺的人才。

寻找身边的工匠精神演讲稿工匠精神代表着一个时代的气质坚定、踏实、精益求精下面是小编整理的关于寻找身边的工匠精神优秀演讲稿范文欢迎大家参考借鉴工匠精神与工匠文化的传承再推荐另一部纪录片《本草中国》以“本草”为切入口以“中国非物质遗产中药炮制技术及中药传统制剂方法传承人”为灵魂展开用温暖的视觉力量挖掘和记录隐遁的中医药故事记录了坚守初心的匠人精神我仍然记得那位年老的制药师在制完了他最后一份药后将几辈传下来的制药工具捐给博物馆然后落寞离开的背影这个落寞的背影让我们思考大力倡导工匠精神其实是工匠精神逐渐缺失而必须采取的对策那么工匠精神为什么会缺失呢难道不是因为没有了工匠文化作为支撑?因此在倡导工匠精神的同时我们更应该关注工匠文化的传承没有了传统而精致的工匠文化作为背景单纯的依靠倡导工匠精神是很难让国民明白真正工匠精神的具体表现也就是说缺失了工匠文化工匠精神就缺失了学习和效仿的对象每个人都会有一份属于自己的工作其不同之处仅在于各自工作中所要完成的任务及方式相异我们每个人在自己的工作岗位上有的人终其一生不过原地踏步而有的人却在平凡的工作岗位上如鱼得水得心应手、有声有色最根本的原因只是他们对自身工作的认知和对待工作的态度及处理方法不同每位员工需要自我反思的一个人生问题并对这个问题进行了深刻细致的解答工匠精神感悟它有助于解除困惑调整心态重燃工作激情使人生从平庸走优秀如果每个人都能从内心深处承认并接受我在为他人工作的同时也在为自己工作?这样一个朴素的理念责任、忠诚、敬业将不再是空洞的口号在市场化程度越来越高的今天我们每个人的工作机会都来之不易如果不珍惜工作机会不努力工作而只知道抱怨的人总是会被放在被遗忘的角落不管他们的学历是否很高能力是否很强也只能是一个配角而已我们每个人只有热爱自己的工作才能把工作做到最好一个人在工作时如果能以精进不息的精神火焰般的热忱充分发挥自己的特长那么即使是做最平凡的工作也能成为最精巧的工匠;如果以冷淡的态度去做怕是最高尚的工作也不过是个平庸的员工充分理解学习工匠精神更加从内心点燃了我们艺高工作热情要更加努力的发挥团队的创新精神让自己和团队成员接受?在为他人工作的同时也在为自己工作?这一朴素的人生哲理从工作中发掘乐趣在日常的点滴工作中充分运用工匠精神把自己与公司的发展有机链接在一起共同进步众所周知我们国家是一个制造业大国工人数量众多但能被称为工匠的却屈指可数从表面看起来工人和工匠之间只有一字之差但两者却有天壤之别当前一些贴有“中国制造”的商品在国外成为了粗制滥造的代名词只能在地摊上去销售就是因为缺乏“工匠精神”什么是“工匠精神”呢?“工匠精神”是一种热爱工作的职业精神和普通工人不一样的是工匠的工作不单是为了谋生而是为了从中获得快乐这也是很少有工匠会去改变自己所从事职业的原因这些工匠都能够耐得住清贫和寂寞数十年如一日地追求着职业技能的极致化靠着传承和钻研凭着专注和坚守去缔造了一个又一个的奇迹中国航天科技集团一院火箭总装厂高级技师高凤林他是发动机焊接的第一人为此很多企业试图用高薪聘请他甚至有人开出几倍工资加两套北京住房的诱人条件高凤林却不为所动都一一拒绝理由很简单用高凤林的话说就是每每看到自己生产的发动机把卫星送到太空就有一种成功后的自豪感这种自豪感用金钱买不到“工匠精神”是一种精益求精的工作态度能够被称之为工匠其手艺自然得到社会公认但工匠对于自己制造的产品却永远不会满足在他们的心目中制作出来的产品应该没有最好只有更好“工匠精神”的代表人物哈里森费时40余年先后造了五台航海钟最后一个钟创造了航行了64天只慢了5秒的记录从而完美解决了航海经度定位问题而我国的工匠们同样毫不逊色他们中有人能在牛皮纸一样薄的钢板上焊接而不出现一丝漏点有人能把密封精度控制到头发丝的五十分之一还有人检测手感堪比X光那般精准令人叹服而这没有一丝不苟、精益求精的工作态度显然是无法做到的因此“大国工匠”诠释出的“工匠精神”应该成为“中国制造”的内在支撑这样才能让我们国家制造的产品释放出更加夺目的光彩工匠精神的“匠心”呈现记得看过一部奥斯卡获奖影片——《入殓师》里面有一个大提琴师下岗失业到葬仪馆当一名葬仪师通过他出神入化的化妆技艺一具具遗体被打扮装饰得就像活着睡着了一样他也因此受到了人们的好评这名葬仪师的成功感言是：当你做某件事的时候你就要跟它建立起一种难割难舍的情结不要拒绝它要把它看成是一个有生命、有灵气的生命体要用心跟它进行交流因此简单的来说“匠心”其实是对每一件事情的精益求精当我们说起“精益求精”的时候我们常常想起德国、瑞士和日本的制造业他们对每一个工序和细节都要求得十分精致这种细致是与数量和产量无关的而是只关乎质量娜塔莉·波特曼在哈佛毕业典礼演讲中提到的一个关于追求精致的例子她和丈夫去东京一家著名寿司店吃寿司发现寿司好吃到让她这个素食主义者都欲罢不能但发现店里只有6个座位后来她才了解到东京所有最棒的饭店都这么小而且只做一样料理因为他们要把事情做好做漂亮关键不在于数量而在于对事物追求至善至美过程中的愉悦“工匠精神”其核心是：不仅仅是把工作当作赚钱的工具而是树立一种对工作执着、对所做的事情和生产的产品精益求精、精雕细琢的精神在中国仍然有着众多的手艺之人在用自己的坚持将这份匠心延续下去猜你感兴趣：1.工匠精神语录2.工匠精神心情随笔3.工匠精神读后感1000字4.工匠精神经典语录5.工匠精神读后感700字6.工匠精神核心名句7.工匠精神读后感800字。

高三学生开学演讲稿15篇高三学生开学演讲稿1敬爱的老师，亲爱的同学们：大家好！时间如白驹过隙，转瞬即逝。

当秋风吹回校园的每一个角落，我们又再次在这里相遇。

送去了在考场上披荆斩棘勇拼搏，蟾宫折桂创佳绩的学长们，我们迎来了高一的新同学。

在这里，我代表高二高三的同学向高一的新同学致以最热烈的欢迎！高中生活美好的画卷正在你们面前徐徐展开，衷心的希望你们能拥有一个丰富、成功的高中生活！同时也祝福我们的每一位同学拥有一个更加美好、充实的新学年！奋斗了十二年的春华秋实，磨练了十二年的酷暑严寒，高三的学长们终于走完了人生的第一步。

通过这一步，他们迈得自信而坚定。

当他们满怀笑意走进考场时，他们懂得了什么叫付出；当他们在答卷上自如挥毫时，他们明白了什么叫成功。

随着高考的结束，我们也迎来了新的人生驿站，摆在我们面前的任务是如此艰巨。

陶渊明说，盛年不重来，一日难再晨。

高一、高二的同学，你们是否已经准备好了在学海中奋力拼搏，继续秉持你一如既往的优良学习状态，加倍努力呢？高三的同窗们，你们是否准备好踏上人生的一段激流，体会那虽苦尤甜的高三生活呢？学习，生活，乃至人生，最重要的就是充满智慧的勤奋！记得一位哲人说过：世界上能登上金字塔的生物有两种：一种是鹰，一种是蜗牛。

不管是天资奇佳的鹰，还是资质平庸的蜗牛，能登上塔尖，极目四望，俯视万里，都离不开两个字——勤奋。

青春是一场勤奋的较量。

勤奋非朝夕之事，关键在于如何坚持和怎样坚持以及坚持多久。

《弟子规》告诉我们：朝起早，夜眠迟，老易至，惜此时。

勤奋不需要惊天动地，只要养成从点滴、从小事做起的好习惯，便足矣。

当然，读书也象开矿一样，需要"沙里淘金"。

不管是高一的新生，还是高二高三的同学，在接下来的学习中，我们更需要用努力为自己铺设一条“沙里淘金”的成功之路，建立积极学习的意识。

在此与大家共勉：第一，让我们建立细节意识。

对各科知识确定主要复习内容，回归教材，瞄准章节重点，每一道小题都踏实的研究，坚信“宽为限，紧用功，工夫到，滞塞通”。

娜塔莉•波特曼：接受瑕疵，它让你与哈佛大学有一个始于1968年的活动“毕业日”，每年邀请一位校友给当年的毕业生做演讲。

从比尔·盖茨、J.K.罗琳，到脸书COO桑德伯格、纽约市长彭博，只有最优秀的校友才会获得邀请。

今年，他们邀请的是娜塔莉·波特曼。

翻开娜塔莉·波特曼的人生履历，任何人都会倒吸一口冷气：她11岁开始演电影，凭借《那个杀手不太冷》一举成名。

在那之后，少年老成的她已经能够摆脱好莱坞的商业势力，只接自己觉得有价值的电影；18岁那年凭《星球大战》获得金球奖提名；2011年，29岁的她因为在《黑天鹅》中的非凡演技，一举摘得第83届奥斯卡影后桂冠。

而这个拥有完美颜值和演技的女神，还是一个顶级“学霸”：中学时就在专业科技期刊上发表过两篇论文；曾入围英特尔科学奖并最终进入半决赛——这是全美公认要求最高、最精英的高中科学竞赛，很多参加者之后都成为了科学家；高中毕业后，她以全A的成绩被哈佛大学心理学系录取；2004年，她进入希伯来大学攻读研究生，成绩仍然是全班第一；除英语之外，她还会说希伯来语、阿拉伯语、日语、德语和法语。

然而这样优秀的人，在进入哈佛之后，仍然经历了一段黑暗的日子。

她在演讲中透露：“我害怕别人会以为我是因为名气才来到这里。

我觉得一周要读完1000页的书完全是不可能的，而要写出50页的文章是我永远也不可能做到的。

”那时的娜塔莉非常缺乏自信且充满压力。

她的不自信，一部分缘于演员这个职业。

“每次我开口说话的时候，我都觉得必须要证明自己不只是一个白痴女演员。

”但最后，她克服了这样的不自信，坦然接受了自己。

“我成为一个演员是有原因的，我爱我的职业，而这不仅是一个可以接受的原因，也是最好的原因。

”2003年，她以优异的成绩如期毕业。

这段经历也让她在参演《黑天鹅》时深深地认识到：“正是你的个性，甚至缺点把你和其他人分开。

曾有位芭蕾舞者因转圈的轻微不平衡而出名，从技术上说，你永远不能做到最好，总有人比你跳得更高，或者有更美的姿态。

匠心筑梦演讲稿范文匠心筑梦演讲稿范文1各位尊敬的领导，同事们：大家好，很荣幸能够站在这里为大家带来关于工匠精神的演讲!在这里我来谈谈我的三点认识。

第一、什么是工匠精神?为什么要培育工匠精神?说到工匠精神，很多人的第一反应是日本制造。

知乎上有一个热门问答“日本的工匠精神到底是怎样的?”有着非常翔实的介绍。

其中，被广泛引用的是好莱坞巨星娜塔莉·波特曼在去年哈佛毕业典礼演讲中提到的一个例子。

她和丈夫去东京一家著名寿司店吃寿司，发现寿司好吃到让她这个素食主义者都欲罢不能，但发现店里只有6个座位。

她一开始很好奇为什么不扩张，后来朋友向她解释：东京所有最棒的饭店都这么小，而且只做一样料理，因为他们要把事情做好做漂亮，关键不在于数量，而在于对事物追求至善至美过程中的愉悦。

从这个小故事，我们不难提炼出工匠精神的内涵。

它指的是一种精工制作的意识，一个产品的每个环节、每道工序、每个细节都精心打磨、精益求精，专注、精确、极致、追求卓越。

套用财经学者吴晓波的话来讲，工匠精神就是：做电饭煲的，能让煮出来的米饭粒粒晶莹不黏锅;做吹风机的，能让头发吹得干爽柔滑;做菜刀的，能让每一个主妇手起刀落，轻松省力;做保温杯的，能让每一个出行者在雪地中喝到一口热水;做马桶盖的，能让所有的屁股都洁净似玉，如沐春风……而工匠精神的反面，是追求短期经济效益、“短、平、快”的粗制滥造。

当然，制造业的最终目的都是为了盈利，工匠精神也不例外，只不过，相较于粗制滥造赚快钱，坚守工匠精神更苦更难、也是唯一正确的路。

你要静得下心、耐得住寂寞、坐得住冷板凳、下得了苦功夫，因此，工匠精神不仅是一项技能，也是一种精神品质。

第二、为何呼唤工匠精神?毫无疑问，中国已经是世界上最令人瞩目的制造大国之一。

国外曾流传这样的趣谈：一位母亲问孩子：“上帝住在哪里?”孩子答道：“既然上帝创造了万物，他一定住在中国。

因为所有东西都是‘中国制造’。

”一方面，中国制造在全球市场具有极高的占有率，但另一方面，部分中国制造在全球消费者的印象却很是一般，甚至大多中国人本身也更喜欢外国货。

筑梦新时代演讲稿匠心筑梦演讲稿亲爱的同学们，尊敬的老师、家长、来宾们：大家上午好!首先，向同学们顺利完成学业、胜利毕业表示最热烈的祝贺!为获得知识学霸、技能土豪、文体明星和社团精英荣誉称号的同学们点赞!同学们，美好的大学时光就像一条长河。

有激荡回旋，有飞流直下，也有静静流淌，但每一处都勾画出你们的青春记忆!年轻的你们喜欢说终于：终于下课了、终于考完了、终于放假了，今天终于毕业了。

但回过头来才发现，那些自以为的如释重负，才是最让人怀念的。

你是否还记得，第一次踏入扬工校门，面对来自全国各地小鲜肉的新鲜与彷徨;是否还记得第一次加入社团时，在师兄师姐带领下的激情绽放;是否还记得第一次参加迎新晚会，心之韵、风之舞、秋之声，与队友们日夜演练，却甘之若饴的青春飞扬。

而后的时间里，青春拔节生长，你们的扬工生活也许在一点点变成习惯：你们习惯了每次考试前的挑灯夜读;习惯了校园神兽傲娇的眼神;习惯了在男女比例7:3的扬工校园年复一年独唱情歌的无奈。

太多的第一次和太多的习惯，早已将你们和扬工紧紧相连，值得你们相离莫相忘。

前些天，我在宿舍区看到，你们在十字路口挂的横幅，师妹不要伤心、师兄还会回来，让人很是感伤。

老孙在这里真心希望你们信守诺言，常回家看看。

同学们临走之前总是要带些东西离开，也许是校园吉祥物，也许是畅思园的一片绿叶，也许是永不再说出口的表白??。

你们可曾想过，这或充实或空虚的三年里，我们记住了什么?又留下了什么?是美丽的桃花岛、亮丽的二分桥、艳丽的大白鹅?还是从杀马特少年到文艺青年的转变，友谊的小船升华为爱情或友情巨轮的欢欣?也许都是，也许都不是。

我想最重要的应该是同学们拥有了一颗滚烫的工匠之心。

在你们即将离校，进入社会去追逐自己的梦想之际，我就锻造工匠之心与大家分享三点体会。

第一、匠心需要坚持，耐得住寂寞才能守得住繁华。

在这个昨天再好也回不去，今天再难也要继续的社会，如果不品尝孤独、体会坚守、经历磨难，你如何才能成功?你们迟早会发现，未来的职场，没有性别，只有竞争，适者生存，不适者OUT。